THE BIG CRUNCH

Just so folks don't think I'm some anti-Wizard of the Coast gamer (from my last posting), I thought I'd better elaborate on some of the positives. One being: They actually SAVED DUNGEONS and DRAGONS. Plus (from the outside looking in), they've actively kept some semblance of self - sufficiency. When WotC came in and bought TSR, they went into damage control mode, almost immediately. They took on all of the old TSR court cases and tried to turn the tide around. By the mid 90's, old fiction writers were back to work (with a bigger cut of the profits) and they ramped up the D+D computer gaming wing of the company to compete against "DOOM" and "Myst" like video games.

 

 

 

They relaunched old property rights that TSR acquired, but never did much of anything with, like Conan the Barbarian and other fantasy film franchises, essentially 'piggy back riding' their success. And they continue to drum up Christan minded people who played D+D, to give testimonials, assuring the courts that they were not homicidal satanists. And D+D, (like violent video games today), shouldn't bear the full responsibility of a few deranged wackos. Briefly: A lot of this devil worshiping stuff is the unfortunate result of D+D's meticulous record keeping. In the spell section of the Player's Handbook, there are descriptive passages about summoning demons to work on your behalf, and it outlines the rituals (for your miniature figures), which are based on actual middle ages folklore, but some people thought (or wished) it was real.

 

 

 

The problem was compounded in the mid 80's, when an unofficial rule book was published in Spain, by a group of D+D fans, that took it way off the reservation, telling players how to sacrifice babies, goats, and brew death potions (listing real deadly plants and recipes). WotC reminded everyone that the game is a family friendly game, the players are not allowed to play "the bad guys", and edged out the Heavy Metal, Satan loving subset of gamers, writing them off as "provocateurs looking to make a quick buck". They really worked hard, behind the scenes, to make D+D relevant again. But what to do about the game?

   

By the late 90's it was obvious. D+D needed a face lift. Fast ! A radical new rule set (the d20 system) was put together to actively compete against all of the role playing games that knocked it off it's throne in the first place. And since they were designing new rules, (which were going to give birth to the next generation of games) they put out the OPEN GAMING LICENSE, in order to stay above the legal fray that ended up costing them millions of dollars. They put out the Third Edition of Dungeons and Dragons, which revolved around a new game mechanic involving the d20 die. It was a minor tweak, but enough to win in a court case involving the rules of the game.

 

 

 

 

By 2005, they released D+D 3.5 ( a newly revised set of rules based on hours of playtesting with normal gamers, thus bridging the older gamer and newer gamers, at convention halls across America and Europe). Third edition and 3.5 edition are sometimes lumped into one edition - just 3.5; because it's a more rounded out series of books. The 3.0 edition is seen as the 'beta' version, and the 3.5 rules are seen as the actual rules to the new and improved D+D game. Suffice to say, you can't please everyone all the time. People who plunked down hundreds of dollars for 3rd edition when it came out, felt more than betrayed about having to disregard those books and buy the 3.5 version, (for hundreds of dollars), two years later. The 3.5 Core Rules had 80-90 pages more, better art, and rule changes. But some saw it as a grab for cold hard cash.  

And the problem was hard to over look, because the difference between the editions was great. If you played a 3.0 character in a 3.5 world, he would probably die. No amount of luck will keep him alive. A 3.5 monster will eat you alive. Fact was that only a 3.5 character can survive in a 3.5 world. That said, a 3.5 character will pretty much "own" your 3.0 world in a handful of gaming sessions. It was frustrating. It was the kind of thing that made you want to go 'on line' and sell your own version of The Game, and stick it to WotC. WotC claims they had to make the changes for the "good of the game", if they are going to remain "viable" to Hasbro, (who holds a Sword of Damocles over them, dependent on sales). They said 3.5 was the "final word". Everything, product line wise, was geared for those rules.Period. Four years later, they made D+D 4.0. People went bat$!*&, with the chorus being "Oh No You Didn't" !

 

 

 

So, what can I say? It's been a turbulent time, but WotC has managed to keep clear of things that nearly destroyed TSR...And besides, they have Jason putting his Dungeon Dozen stamp on their website, so they can't all be bad...I mean, they obviously recongnize clever writing when they see it...

 

 

A HOUSE OF CARDS

I just want to be clear here: I'm a big fan of Wizards of Coast and D+D (and a dozen of other RPGs), and this particular posting is purely my opinion...based on my surroundings...and my experiences...You'd think that was already implied, but I'm NOT leaving anything to chance here...So, with that in mind, here's MY DEAL with the 4th edition Dungeons and Dragons...

 

4.0 was built to be, let's say...transferable... to your computer, so you could stop playing  World of Warcraft, and play D+D on-line instead. The 4.0 rules are the table top, paper and pencil, dice rolling, miniature figures version of the game that treats everyone like a BOSS FIGHT from a video game. And I mean EVERYONE. From the main evil villain to the guy who just sold you a loaf of bread (just like in the World of Warcraft). It's D+D on Crack. It's faster, more lethal, but, in a 'gamey way', it's so far removed from original D+D rules, it drove old gamers (like me) nuts.

 

 

 

But the 4th edition sold. It sold a lot. Plenty of 12-14 year old boys (and I imagine some girls) got the books for X-mas in 2008-2010. Hasbro flooded, and I mean, flooded the market with book after book after book. My (and some others) biggest problem: It was ALL OFFICIAL EDITIONS. There was no room left on the shelves for competitive game makers. Hasbro's deep pockets buried everybody. It clogged up so much shelf space in the comic and gaming stores, there was NO ROOM for anything else. Plus, the reinterpertated combat system (with it's various Action Sub Catagories) didn't win us over. As a matter of fact, it spurned an Internet wide backlash. See, I wasn't kidding when I said D + D instills a love / hate kind of relationship...




It was sad. So much money going into such a lame version of The Game. Bloggers like Bat In the Attic, Black Blade Publishing, Brave Halfling, Mythmere Games, and Grognardia started springing up in 2003-2005. These guys started putting out fanzines (Knockspell and Fight ON!) and their own adventures, based on the 1st Edition Rules, thinking...the OPEN GAMING LICENSE lets me use D+D rules, why not just go back to beginning, (and pay attention here) and invent the games Gary Gygax and Dave Arnoson would've printed, if things didn't turn so horribly wrong back in 1983-1989. These are the games they might have invented, in an alternate history. If the D+D game went in the direction they wanted it to go, and not the way it went down. And, as such, these 'games' are protected under free speech and the Gaming License...because, technically, you don't call it D+D. Early on, (by way of example) there was a game entitled "Encounter Critical", claiming to be a lost and forgotten game design from the 70's, from TSR. It mimicked the old school fanzine size format, the old typesetting, and it got a lot of buzz, until it was discovered to all be a fake, and just a "marketing gimmick". But that's all it took. It made some big money, and still sales today. More importantly, it gave everyone else this idea of getting around Hasbro's dominance, by producing your own compatible adventure and set it in a world that combines any and all rules (from any and all games or editions) and call it your own. In my opinion, this freedom is both invigorating and troublesome.  
 

 

 

 

But can you blame them? If all you have is the 4th edition game, and you detest it, why wouldn't you go back to what you love. Let me digress for a moment here...


One reason  why Marvel Comics had to get bought up by Disney is because...in case you didn't know...COMIC-BOOKS... right now, have been reduced to the role of promoting or writing Hollywood movies...because, nobody buys comic books anymore, they buy graphic novels. And they don't buy a lot of those, only their favorites. I briefly bring up Marvel Comics, because that was kind of their marketing strategy back in the 90's...It didn't matter if the books were any good or not, (and most wer NOT), they just spent all of this money to get them published, in order to take up the shelf space at comic stores across the country - Edging out any competition. The 90's were a dark time for comic book fans. You can still find a ton of 90's comics in countless dollar boxes...Then they almost went broke.  



And, in a way, that's been WotC's M.O. for the past couple of years with the 4th edition. You can find a 4th edition book on every type of monster, realm, or magic treasure, ever produced...Right Now. WotC has been re-releasing the original Advanced Dungeons and Dragons books (the 1974-1977 1st edition rule books, and some early modules), written by Gary Gygax  (and others), in order to raise money for a statue of him, in his honor back in Milwaukee. They've organized fund drives and are trying to meet these Internet gurus, by appealing to their nostalgia for the game, and to tell them that they "miss Gary and Dave and all the rest, just as much, if not more, than you do". And...(are you sitting down?)...They are kind of implying..."Hey, we're really sorry about this whole 4.0 thing. We're going to fix all this by... putting out a 5.0 version as soon as possible. And you'll love it ! We're gonna dedicate it to Gary and Dave and do it right this time. We promise."

Pshew. I feel better already. But that hasn't stopped the 4.0 runaway train. I don't blame WotC for trying to make oodles of money, but are they really expecting me to shell out thousands of dollars for a never ending series of super-deluxe hardback books, basically covering a plot (and setting) I've already bought, 20, 30, or 40 years ago. And now that I know all of these Official Editions are going to be negated by a new rules set, I'm glad I didn't buy into it at the beginning. Like everything, only time will tell. Having Frank Metzer seems like a good start, but  when Monte Cook left the group designing the new game, the Internet comment sections went nuts with all sorts of rumors and theroies.



Don't get me wrong, the 4th edition books are great looking...The art is top of the line...The paper is high grade, and there's a ton of cool information in there, but...I dunno...If WotC wanted to, they could produce an affordable, soft-cover mini-book, that harkens back to the early days, (with some more Errol Otus art) and meet old timers, like me, half way. Of all of the editions, the 4th edition (and it's marketing campaign) kinda flies in the face of the first (and real) rule of the D+D games, which is: You are supposed to HAVE FUN ! 

 

 

 
 

And that's kind of where things stand now a days...Again, in my opinion...



 

As an Example...

THE CHURCH LADY ASKS, "Was it...SATAN?"

Dave Arnoson had already left before 1982, over "intellectual property" issues, and went off to create his own gaming company. It didn't do as well, until they started writing computer codes for games (some of these early BASIC computer language codes would later end up in D+D like computer games : "Ultima" and Nintendo 's hugely successful "Zelda" video games).The FBI delayed the printing of TOP SECRET, the role playing game, thinking it was a 'threat to national security' (Merle Rassmussen, the designer and writer of the game had to prove he got his "intel" from the public library, and not a foreign agency), and slowly D+D was being associated, in the news, with crazy people weilding swords , running around in the sewers, looking for dragons to "vanquish" and, eventually, Satanists.

Gary Gygax, dabbling in a project to bring D+D to Hollywood,  was "forced" out of TSR, by 1987-1989, and most of the "old gang" was gone, replaced by a younger group, that spear-headed the 1984-1985 Second Edition D+D game. A version that was even more accessible to a greater number of people, but was accused of "dumbing down The Game". Other role playing companies ( Chaosium, White Dwarf / Warhammer ) started outselling D+D, using tweaked D+D rules, and TSR was taken over by a rich woman named Lorraine Williams, who knew nothing about role playing games, and was hoping to "turn it" for a profit. Story is: She was such a control freak, game designers were always clashing with her, over what made a good D+D game, and spent the better part of 1988-1993, reprinting older editions, in fancy print runs, or in special collected hard backs. One story goes: As the gaming offices were imploding, the fiction writers were saving the company.

Tales from The Forgotten Realms, and Dragonlance Series, and countless other, were long running fantasy novels, and they were / are very popular. The novelization of D+D related works sold across the board, because you didn't need to be a gamer to enjoy the books. These books still make it to the New York Times bestsellers list every once and a while, and the charatcers in these books have spun off into their own series of books. It was great to be a fiction writer for TSR, until you became so famous (Tracy Hickman, R.A. Salvator), you started to effect the bottom line, and, persumeably, asked for more money, more creative control, more anything, from the sounds of it. Those that did, were escorted out the door by security, only to file their own lawsuits aganist the company later. Everything related to the game was selling (the calendars, action figures, coloring books, computer games, and, suprisingly, the miniature figures), but the actual "game" material was not doing so hot.

In the early 90's, "Vampire, the Masqurade", (you play as vampires in a dinner mystery-type game) and "The Shadowrun" ( set in a post apocalyptic future where invisible inflammable gas pockets can kill you, and alter the human spieces into mutant monster) kind of nailed the coffin shut on D+D games, which had grown stale and dull. The folks I knew never bothered with the Birth-Rite, or The Dragons of Croym series etc.



By the time Pokemon and Magic the Gathering card games were hitting the states, TSR was facing up to the harsh reality. It was impossible to dominate the game market ever again, because there was 30-40 years of other legal published material based loosely on a HG Well's public domain game and Gygax's "make it up as you go rule", In other words, (as I said previously) any role playing game ever created was, and is, going to be derived from Dungeons and Dragons, because it was the first formalized role playing game. You can't have one without the other. And when the video games DOOM and Tomb Raider came out, you were lucky to find guys willing to sit around for three hours, roll some dice, and draw up maps. In comparison, that was just soooo last decade... 



    

The Mysterious Disappearance

 

Well, I've been gigantically busy lately (and not just the normal end of the school year kind of busy stuff...I'm talking about the kind of freaking busy where the last thing on your mind is posting stuff on some blog). Too many problems. Not enough time. Not enough for my virtual life anyways. So, that's why I've been out of the loop these past few weeks / months. It happens. I'm not complaining, just explaining. I've been doing some drawings for some new games coming down the pipe. I'd tell you about it, but then my benefactor(s) would have to kill me. Corperate spies are everywhere and things must be very hush - hush...You understand. 

 

 

For instance, I'd love to go on and on about the new game I'm brewing up here in the lab, but if I blab on about it, I'll never finish it. I'll figure, hey, I told you about it, so why bother with all the headaches of printing and distributing it? Why not just type out all the cool ideas here on the blog and be done with it? If anyone wants it, it could be downloaded as easy as pie. Everything is done on-line now-a-days. So true. Why this ridiculous need to draw it up and send it out, in a vain attempt to sell it? Didn't anyone tell me printing is officially dead (Dude, it like, died back in 2003, when all the newspapers went out of business). Plus, do we need another fanzine?

 

 

Well, the simple answer, (depending on the kind of day I'm having) is I'm a andraline freak for rejection, or I'm a lazy perfectionist. I want it to be an enjoyable game to play and a fun game to read. That's a tall order, since the first rule to game design is: Be clear and consise, and keep it impersonal and uncluttered. So, already, I'm starting behind the 8 ball. But I can't help it. Pushing, bending, and mashing up the rules (as I've in said in earlier posts) is one of the things I enjoy about the game. I also want this game to work as a opening salvo to an over-ambitious project to produce a series of like-minded games. Hopefully, I'll have three mini books coming out, but at this point, I'll settle for one. The other reason...



Well, I come from an Underground Artist kind of background, and the pull to publish (or be published) is a strong and undeniably competitive drive for us types. Maybe it's motivated by the fact that we couldn't afford art school, or maybe having to slave away for hours at a drawing table for other people's product line, or maybe it's just they way we were put together. I dunno, but it's sometimes confused for insanity. God knows, it can drive some people insane.   

 

 

 

I won't lie. This is partly an exercise in ego stroking. I like having a series of books with my name and work in them on my shelves at home. It gives me a self-satisfying tingle. If nothing else, the work is real. It's here, in my greedy little hands and it's something that may actually out live me. Not in the long reach of history kind of way (I'm not that arrogant, or self-deluded). I'm thinking more in the...my son's sons or daughters may one day flip through these books and think, "What kind of weirdo was grandpa back in the early twenty-first century" sort of way.

 

 

 

Plus, when the sun spits out the big solar flare that knocks out all of the earth's computers (and my virtual history), I'll still have my little shelf of books to go back to... as Google, Yahoo, Facebook and all the rest explain that the world will just have to  re-re-re-boot and start all over again. 

 

 

 

But yes, I should say something about the game I so boldly claimed was coming just around corner (30 some weeks ago). Thing is, I don't really want to show any of the artwork or designs just yet. Playtesting has been fun and frustrating. I'll say this: The game is an attempt to combine some of the best facets of role playing games under one roof, while presenting an entertaining. and striking, adventure. Hopefully... 
       

 

 

 

 

And Another Thing...

Well, lately, I've been obsessing over my old Dungeons and Dragons games. This was spurred on by the unexpected deaths of the creators of the game, Gary Gygax, and Dave Arnoson.They died a year apart from one another, a few years ago, and since then, more of the early writers and artists have been kicking off their mortal coils, and well, frankly, it's been weird...And not just in a 'mid life crisis, the world is over, we're all going to die' - sort of way...It's weirder because of the Internet.

   

 

Since the 1990's D+D has been going through these radical revisions in attempt to compete with video and computer games (ironically, some D+D like computer games, and their code, were built by TSR people in the early 80's). Anyway, the D+D I grew up with the late 70's and early 80's (the so called Golden Era) has made this huge come back. Partly inspired by all the early edition creators dying, but more importantly, the people that played those games back then have kids today, and they're proudly digging out their old rule books and playing old school D+D with them. It's a freaking explosion.



They have self published game for any version of D+D you could desire. And later this year, Wizards of the Coast ( the company that owns D+D ) is putting out an all new 5th edition of the game - rumors are spreading far and wide that it's going to return to it's early 1974 roots, in an effort to reclaim The Game.



Even I picked up the 3rd edition rules to play the game with my son and his friends when it first arrived back in 2000-2001. Yes, we started with the basic set (pre-rolled Regdar and Lidda live to this day, but Naul wasn't so lucky), and then moved onto the hardback books / rules. The snag we had was when D+D 3.5 was released months later, effectively dismissing the 3.0 rules of the game. Oh sure, it's the same game, but nothing turns you off faster than having to fork over a paycheck for a game you already own. That, and having a 12 year old get overwhelmed with a new layout, format, and expanded rules. But, I should've known better from the start.  

 

The publishing history of D+D is riddled with court cases involving everything from free speech, intellectual property, copyright violations, to hideous homicides. It's ... complicated...There's a fine line that separates compatible with plagiarism, real  from fantasy, and it's one D+D has been struggling with for decades (which also staggers the mind as well). When enough time rolls by, I'm sure we'll get a book that gives us the behind the scenes look at what was really going on back then, but for now, the details are sketchy, and, depending on your perspective, open to interpetation. It's odd...With sooooo much information dedicated to one game, it's amazing how much we don't know about the day-to-day business of the companies in charge, it's past dealings with home (and international) pressures, warring egos, and the such. You can research the bajeezus out of the books they released, and goggle the names of the people involved, read countless interviews and contecture (like this blog) and still come away with more questions than answers. But if you want to know how much damage a cursed, staff of striking + 2, + 3 to magic-users does, we got you covered.



It's not all bad...If my son was 12 years old now, I'd be up to my eyeballs in Pokemon games and Skylander Toys...And that stuff is expensive.










  

 

THREE BOOKS TO RULE THEM ALL

In an effort to start posting again, I've decided to comment on the number of books related to playing (and understanding) Dungeons and Dragons. This seems to be a fairly new trend at the bookstores around here, and I thought I'd give the reader my off the cuff, inside track, (probably misinformed) opinions on a related note. 

 

 

The first thing one needs to know about Dungeons and Dragons (or D+D): There are different general versions (or editions) of the game. Depending on who you ask, there are 4 to 10 (or more) official editions of the Dungeons and Dragons game. Each edition revolves around three main rule books called the Core Rules. Briefly, they are: The Player's Handbook, the Dungeon Master's Guide and the Monster Manual. The editions are separated further, by publishing dates, which are further separated by their respective print runs, since Dungeons and Dragon is also divided up into various levels of play (for example, there's a string of books outlining everything from the so-called Basic Version of The Game to the more Advanced Version of The Game). If I had to  spit-ball a timeline, (and keep things simple), I'd say that it breaks down into something like this: 1st edition: 1974-1984, 2nd edition:1985-1998, 3rd edition: 2000-2005, and 4th edition: 2007-2013+. Each version "revises" (I'm using that term loosely) The Game.

 

 

 

Side note: Some people in D+D circles will refer to it as "The Game" because the rule sets can conceivably incorporate every other game ever invented. For example, if you wanted to write a D+D game where one of the players had to win a game of chess against death, in order to save the other players, you could put on a death's robe, pull out a chess board and play, while the other players read / perform a short script you've written out, resulting in some kind of conflict / resolution type scenario (concerning their fates or not), depending on what chess pieces are moved by the player playing against you (dressed up like death). If you lived in Berkley in 1986 (and had enough cocaine), and you wanted to write a game like that, there are rules to help you do that. That's how flexible the rules are. While other cross-gaming techniques have been worked into The Game over the past decades, it's core rules / game designs can easily lend itself to almost any other game. And believe me, this is intentional: Card games (and various types of Gambling Games) have been built into the D+D rules since the early years.  

 

    

 

 

Each edition tries to keep that flexibility, while trying to appeal to a larger, younger audience. As a result, you get these subsets of people who only play 1st edition rules, or 3rd, or 4th editions rules. It may seem odd to the non-gamer, but sometimes you'll run into die-hard players who only enjoy playing the Basic Version of The Game, while another prefers playing the Advanced Version. In the past, there have been fights about which edition is better, which is legit, which is the worst etc. It can get ugly. Even today, the reception for the newest incarnation of the game (dubbed by Wizards of the Coast as D+D Next, or, as the rest of us say, the 5th edition) has been getting mixed reviews around my parts. Some folks are really looking forward to it. Others hate it.

 

 

 

This is pretty typical. From 1984-1994, there were all sorts of off-shoots of the game, and the results were similar. I think it started with Greyhawk, but for me personally, it was when TSR put out it's Forgotten Realm series. When that arrived, my gaming group was split down the middle, between those who played it, and those that would never play it. When they put out the Gothic Horror Version of the game (Ravenloft), some people loved it, others didn't. When it's Science Fiction Version (Star Frontiers, and later, Spelljammer) arrived, some gamers went for the ride, others jumped ship. It's strange, because you don't get this kind of reaction with other games. We all enjoy the occasional game of Crazy 8's, Backgammon, Yahtzee, and Clue etc. But with D+D, it's a love / hate kind of thing. And so, for our purposes, (and as a form of short hand), I'll just say that there are four official editions of "The Game". The other six to eight official editions are off shoots from the main four. Although, on the web, that's debatable. For example, one gamer refuses to buy the Dungeon Master's Guide: Book 2, and Monster Manual 3 for the 3.5 rules, while the other one has them all. 

 

 

 

The other problem: Because there are so many different editions of "The Game", the players are anywhere between 10 to 60 years old. Players usually prefer the edition they grew up with, but they also tend to be a cross-pollinating group of people, and (contrary to the above paragraph) are also into other types of role playing games, which essentially grew out of the flexible rule sets of early 1st and 2nd editions of Dungeons and Dragons. This also proves the old saying: Any role playing game you make is based in the Dungeon and Dragons rule set, so you are essentially playing D+D. Whether you call it 'hit points', or Hits to Kill (HTK), or life level points, it's generally the same thing.

 

 

 

 

In my previous posting, (A Couple Weeks After Free RPG Day), I explained that there are games for every type of genre now-a-days: Western, Mystery (murder dinner train tours), ones based on different types of movies (James Bond role playing game) etc. And how it "ties in" with live action role playing games ( or LARPS : think Renaissance Fairs, Civil War re-enactors) and the "cos play" (costume design) hobbyist etc. And what a strange trip it's been growing up with a pen and paper, dice based strategy game, that eventually turned into actual medieval (pretend) warfare.

 

 

 

And now, on the Internet, there are the 'movers and the shakers' that are trying to keep their edition of the game intact. I'm including myself here, to some extent. Mainly, because they have all of this material they want to post - not for materialistic gain, but rather, for the love of the hobby,(which is semi conscious code for 'freedom of speech' or 'fandom fiction' here). And some of them, love The Game. I mean , I like the game, but some of these guys are really into it. And they have the money to spend on it, because it's not cheap! Each rule book, from each edition, will set you back $30.00 to $40.00 (or more), and that's just for starters. It's kind of like a cult in that way. Once you pay your initial 100 bucks, (and become indoctrinated), your hooked. You'll buy whatever supplemental rule book they put out, at 20, or 30 bucks a pop. Before you know it, you have a room full of D+D book case(s) and your 1000s of dollars poorer. The irony: If you get too depressed and need to take your mind off of things, I may have just the game for you... 

 

 

September to January blogs have been cancelled

 

 

September to January blog postings have been cancelled. These blog postings have been deemed too controversial for younger viewers, older people with heart conditions, and those within the general public that are squeamish, or easily offended.

 

 

The listings themselves have been removed from the Internet, downloaded into a sealed file, and are being held in an undisclosed location. They will remain there for the next 101 years. At that time, these files will be opened, if allowed by the leaders of future generations, for historical interests.


Most of the entries are large rants against the idea of multi-tasking (proven to kill creativity, cause mistakes, and actually wastes more time etc), the huge inequality between the rich and poor, and a lengthy series of articles entitled No Time for Fools and Idiots (although humorous, insightful, and astonishingly concise, parts of the texts read like the ravings of a mad-man).


Needless to say, these entries are not related to role-playing-games, fiction, or movies etc. In an effort to steer clear of a horrendous back-lash, upsetting hate-mail, and abandoning a budding fan-base, higher authorities have intervened in this matter. Hopefully, John will be able to re-focus his efforts in the coming months. But for now, he lies in a self-imposed, recuperative coma. We at the home office are confident that when he awakens, he'll be recharged with a new sense of wonder (related to role playing games). That is, if he wakes up...